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Bring It On The Musical
The cutthroat world of competitive cheerleading meets the fierce rivalries of high school politics and romance.
12
Roles
+ Ensemble
PG13
Rated
2
Acts
Full Synopsis

Act One

On her last day of junior year, Campbell Davis prays to be named captain of the Truman High School cheerleading squad ("What I Was Born to Do"). The rest of the squad — including Steven, Campbell's "so handsome it hurts" boyfriend; Skylar and Kylar, two cheertastic besties; and the fresh-faced sophomore, Eva — dream of the notoriety that comes with being a Buccaneers Cheerleader.

Skylar savors the moment as Tryouts are underway and Campbell does make captain. The spunky, full-figured Bridget is cut for the fourth year in a row and relegated to yet another season of being the mascot. The very green, but eager, Eva, however does make the squad. As the rest head off to celebrate, Campbell reflects on the difficulties to come and dreams of that "One Perfect Moment."

At summer Cheer Camp, Eva's nervousness threatens the squad's chance to win the coveted Spirit Stick, an honor that almost always indicates an upcoming Nationals win. To boost Eva's confidence, Campbell takes her aside and names her the Sophomore Spirit Leader — which means that, if Campbell were to lose her position, Eva would be third in the "line of succession" after Skylar and Kylar. After Campbell lifts Eva's spirits, Truman triumphs and celebrates their Spirit Stick win.

Two weeks before the end of summer, Campbell receives a letter with terrible news: she's been redistricted to inner-city Jackson High School. A horrified Kylar informs her that, "They don't even have a squad!" Despite her attempts to stay at Truman, Campbell's fate is sealed, her dream is gone ("What I Was Born to Do – Reprise") and even Steven can't console her.

Campbell arrives at Jackson and discovers that Bridget has been redistricted as well. ("Do Your Own Thing") Amidst all the hard knocks and rough words, the girls meet the charming Randall, an aspiring music producer and self-proclaimed multi-clique mingler. Intimidated and amazed, the pair is wowed by an impromptu performance from Jackson's resident dance crew trio: Nautica, La Cienaga and Danielle, the head of the crew. Campbell's interaction with the "fee-yearce" Danielle is more of the rejected same, but Bridget is an unexpected hit, not only with the three, but especially with the hormonal Twig, who loves her curves. Campbell offers her talents to the crew, but a verbal slip-up turns the Jackson women against her. Danielle firmly explains that "We Ain't No Cheerleaders," and lets Bridget in the crew.

Adding insult to injury, the discouraged Campbell receives a series of voicemails from her old squadmates exclaiming how wonderful the season is going. Sympathetic, Bridget consoles her by taking her to the Burger Pagoda — where, it just so happens, Danielle works. Campbell tries to make amends, but Danielle is unmoved. Danielle's tune changes a bit after Campbell earnestly confronts a pair of entitled rich girls who are harassing Danielle. Impressed and amused by Campbell's spunk, Danielle reconsiders and offers Campbell a one-time chance to dance with the crew. The caveat, though, is that she must do it dressed in an old leprechaun mascot suit ("Friday Night, Jackson"). After a shaky start, Campbell kills it as the leprechaun and causes Randall to become quite smitten. An impressed Danielle gives Campbell an official spot on the Jackson crew.

Later that night, Skylar and Kylar share shocking news: a reduction in Skylar's grades means that she can't be captain... and Kylar has contracted mono. By the rules of succession, Eva is now captain. Campbell suspects that "Something Isn't Right Here." A visit to Eva's house seems to confirm her suspicions. Eva has taken on Campbell's appearance, and Campbell discovers a half-clothed Steven "studying" there, as well. Unconvinced by their explanations, Campbell breaks up with Steven and feverishly goes to Skylar and Kylar, who accuse her of paranoia and jealousy. Assessing the situation with Bridget, Campbell learns that Eva's mother is on the school board — the body in charge of redistricting. Outraged and certain of a conspiracy, Campbell decides to get back at Eva by assembling a squad at Jackson and crushing her at Nationals. It's time to "Bring It On."

Act Two

Campbell approaches a reluctant Danielle about creating a cheerleading squad at Jackson. When Campbell reveals that a Nationals win includes college scholarships for each winning member, the determined and educationally driven Danielle agrees. The girls set out to assemble a squad ("It's All Happening"), but some of the facts that Campbell uses to recruit members are somewhat questionable. Nonetheless, a squad — that includes Bridget — is formed.

Training is off and running. Randall flirtingly presents Campbell with the routine music that he's put together, and a few of the squad members present a saucy dance that Campbell has to inform them would cause the judges to "deduct hella points" if they were to do it. The understanding ladies are then given a crash course in "cheer faces."

At the Regional Competition weeks later, Truman watches Jackson perform. While Eva, Steven and Kylar are wowed, Skylar is smugly convinced that "Truman Is Better." Although Jackson takes second to Truman, they accumulate enough points to qualify for Nationals. The squads exchange a few backhanded compliments, and the competitive tension becomes palpable.

Back at school, Twig asks Bridget on a date, and Bridget shyly declines. This calls for an intervention from Nautica and La Cienega, who assure her that "It Ain't No Thing" when it comes to her insecurities. Her self-esteem boosted, Bridget chases after Twig. Meanwhile, Randall asks Campbell on a picnic date on the cliffs above their town, to which she happily accepts.

Moments later, the furious Jackson crew confronts Campbell. Danielle has discovered that Campbell lied about the college scholarships as a Nationals prize, and, as a result, Danielle discontinues their friendship and disbands the squad. Although disconsolate and disgusted with herself ("What Was I Thinking?"), Campbell still shows up for her date with Randall. After some playful ribbing, he encourages her to "Enjoy the Trip" that is this life, as opposed to stressing out so much.

Eva dishes and embellishes on the story of Jackson's squad troubles to Skylar and Kylar. Then, in a private moment, Eva celebrates the "Killer Instinct" she showed in creating her path to captain by blackmailing her own mother to get Campbell transferred, hacking the school's system and changing Skylar's grade, hiring "some sick guy to lick Kylar's toothbrush."

At Jackson, Bridget shows off her Twig hickey to the girls. Campbell pulls Danielle aside and offers a profuse, pained apology. Danielle is still hurt by the lie, but acknowledges the joy that their work brought her. Campbell explains that the experience changed her to the point where she no longer felt any ambition to go to Nationals — their friendship should have always been paramount. Despite her conflicting feelings, Danielle decides to continue working together ("We're Not Done"). Nationals is back on!

At Nationals, Truman gives a legendary performance of their routine. As the squad recovers, Campbell congratulates Skylar and Kylar. Shocked at Campbell's presence, Eva tries to undermine her confidence in the holding area among the entire Jackson squad. Eva's efforts escalate, and the conversation culminates with the revelation of her villainous behavior ("Eva's Rant"). Nonetheless, Jackson takes to the mat and offers an exuberant, mind-blowing routine that breaks the rules of cheerleading, but inspires wild cheering from the arena ("Cross the Line").

They leave the floor, confident in the fact that they said their piece and got the crowd "ROWDY," but, because of their disregard for the rules, Jackson doesn't place and Truman wins Nationals. Campbell is offered a trophy by Randall, though. Sure, it's his Pinewood Derby trophy from Cub Scouts, but thanks to a sharpie, it reads "First place for everything that matters."

Together in celebration, the Truman squad and Jackson squad forge a friendship that is worth far more than any National Title ("I Got You").

Campbell

A senior head cheerleader whose world gets turned upside-down when she transfers schools. She is constantly working towards the goal of a championship and her "one perfect moment". After using her friends to exact revenge, she realizes that friendship is much more lasting than a trophy.

Gender: female

Vocal range top: E5

Vocal range bottom: G3

Danielle

The head of the Jackson dance crew. She has fought her way from nothing to make a name for herself, which leads her to not put a lot of stock into people like Campbell. But she has a tendency to bring down her walls and embrace a true friendship.

Gender: female

Vocal range top: F5

Vocal range bottom: F#3

Nautica

One of the Jackson dance crew. Not the sharpest person on the squad, but is loud enough to make up for it.

Gender: female

Vocal range top: E5

Vocal range bottom: F3

Randall

Jackson's school DJ, mellow and friendly. A true Cinderella story, working his way from a dorky freshman to a smooth senior. He becomes attracted to Campbell for her heart, bravery, and determination.

Gender: male

Vocal range top: Ab4

Vocal range bottom: C#3

La Cienega

A transgender woman. Any ethnicity. Her gender is simply not an issue, accepted by her friends, barely referred to. BFFs with Nautica and Danielle. Has a wicked tongue but a generous spirit.

Vocal range top: E5

Vocal range bottom: D3

Steven

The only male cheerleader on the Buccaneers and Campbell's boyfriend. Tender and comforting, but not the most adept to his surroundings.

Gender: male

Vocal range top: A4

Vocal range bottom: D3

Kylar

One of the Buccaneers cheerleaders. An extremely loyal follower of Skylar who keeps her intelligence hidden under a bushel.

Gender: female

Vocal range top: D5

Vocal range bottom: A3

Eva

Campbell's neighbor and the newest member of the Buccaneers cheerleaders. Her initial impression is one of naiveté and meekness. But she proves to be a social climber who schemes to take over Campbell's life at any cost.

Gender: female

Vocal range top: Eb5

Vocal range bottom: A3

Twig

One of the Jackson students and a hip-hop artist. His hormones make him lust after Bridget.

Gender: male

Vocal range top: F#4

Vocal range bottom: E3

Bridget

The mascot for the Buccaneers. Nerdy and out of shape, but she strives for a place on the cheerleading team. Despite being an outcast, she has a good heart and a great spirit.

Gender: female

Vocal range top: F5

Vocal range bottom: A3

Skylar

One of the senior Buccaneers cheerleaders. Her popularity has given her quite the mean streak, though she does not have the brains to make up for it.

Gender: female

Vocal range top: Eb5

Vocal range bottom: G3

Cameron

One of the Jackson students, a hip-hop artist. A combination class clown and attempted ladies' man, but he strives for fame and fortune.

Gender: male

Vocal range top: F#4

Vocal range bottom: E3

Ensemble

Announcer; Truman Squad (Steven); Goths; Jackson Students (Carter, Brooklyn); Singer

Show History

Inspiration

Bring It On, with music by Tom Kitt and Lin-Manuel Miranda, lyrics by Amanda Green and Lin-Manuel Miranda, and a book by Jeff Whitty, is loosely based on the 2000 film, Bring It On. Whitty, the Tony-winning book writer of Avenue Q, decided to take the film's concept of competitive high school cheerleading and create an entirely new story. Instead of focusing on the movie's plot of one school stealing another's cheers, the musical centers around the main character being transferred to an inner-city school and attempting to fit in with its cheerleading community. Kitt and Green, who had previously worked together on the musical, High Fidelity, collaborated with the Tony-winning Miranda to create a score that is heavily influenced by contemporary music and rap.

Productions

Bring It On The Musical premiered in Atlanta, Georgia, at the Alliance Theatre on January 15, 2011. The production was directed and choreographed by Tony winner, Andy Blankenbuehler, and featured performances from cheerleaders across the country. After the show closed on February 20, a national tour started up at the Ahmanson Theatre in Los Angeles in November. It ran until June 2, 2012, traveling everywhere from San Francisco to Toronto.

The musical premiered on Broadway at the St. James Theatre on August 1, 2012, in a limited engagement until December 30 of the same year. The tour cast came back together to perform for the short run. A Non-Equity tour launched in New Haven, Connecticut, on January 16, 2014.

Cultural Influence

  • Bring It On was the first major musical to have the choreography focus on gymnastics. As a result, it has been highly praised for its new style of stage movement.
  • The Broadway cast of Bring It On has performed on shows and at events like "The Today Show," "America's Got Talent" and the 2012 Macy's Thanksgiving Day Parade.

Trivia

  • The Broadway production of Bring It On was nominated for two Tony Awards (Best Musical and Best Choreography) and five Drama Desk Awards (including Outstanding Book of a Musical, Outstanding Lyrics, Outstanding Director of a Musical and Outstanding Choreography) in 2013.
  • Bring It On has served as the Broadway premiere for several significant young performers, including: Neil Haskell, Adrienne Warren and Elle McLemore.
Critical Reaction

"It's been a long time since I enjoyed a new musical quite as much as Bring It On.... With a sassy libretto by Jeff Whitty and a songwriting team that includes Lin-Manuel Miranda, Tom Kitt, and Amanda Green, Blankenbuehler has fashioned a spectacle whose exceptionally high levels of energy keep audiences rooting for the dancers and cheerleaders."
– The Huffington Post

"The primary delights in Bring It On are the breathtaking displays of human fireworks that send the show's well-drilled dancers flying skyward, forming towering human pyramids, or tumbling across the stage backward, like electric-powered Slinkys. ...This is also the only musical I've seen that had me regularly gasping at the human pyrotechnics on display."
– The New York Times

"A high-energy stage spectacle with good songs and thrilling gymnastic dance numbers. ...A completely successful evening of professional-grade musical theater. ...The songs are catchy, the lyrics are clever, the dialogue is snappy and the performances are impressive."
– The News Observer

"Bring It On is true to its movie source and delivers a positive message about the power of friendship and acceptance. The show flashes its spirit with funny one-liners, some jazzy songs, and plenty of high school drama."
– Entertainment Weekly

"The show brings a lot to like: A crew of talented Broadway newbies, a blast of infectious feel-good and, most memorably, dazzling dancing and cheering-squad routines.... [Jeff Whitty] is on his A-game. His script, which shows a keen ear for teen-speak, is topical, toothy and consistently giggle-inducing."
– New York Daily News

"Bring It On certainly gives fierce face, but it also backs up that glittering grill with just enough sinew and substance – musical, physical and textual – to put it in trophy contention as a worthy, weightless delight, a guilty pleasure you needn't feel too guilty about. ...The rhythmic and harmonic textures created by Kitt, Miranda, and arranger Alex Lacamoire are an unmistakable advance on the pop-Broadway norm. ...This is indeed stage spectacle with many moving parts, only this time – wonderfully, refreshingly – nearly all of them are human."
– Vulture

Show History

Inspiration

Bring It On, with music by Tom Kitt and Lin-Manuel Miranda, lyrics by Amanda Green and Lin-Manuel Miranda, and a book by Jeff Whitty, is loosely based on the 2000 film, Bring It On. Whitty, the Tony-winning book writer of Avenue Q, decided to take the film's concept of competitive high school cheerleading and create an entirely new story. Instead of focusing on the movie's plot of one school stealing another's cheers, the musical centers around the main character being transferred to an inner-city school and attempting to fit in with its cheerleading community. Kitt and Green, who had previously worked together on the musical, High Fidelity, collaborated with the Tony-winning Miranda to create a score that is heavily influenced by contemporary music and rap.

Productions

Bring It On The Musical premiered in Atlanta, Georgia, at the Alliance Theatre on January 15, 2011. The production was directed and choreographed by Tony winner, Andy Blankenbuehler, and featured performances from cheerleaders across the country. After the show closed on February 20, a national tour started up at the Ahmanson Theatre in Los Angeles in November. It ran until June 2, 2012, traveling everywhere from San Francisco to Toronto.

The musical premiered on Broadway at the St. James Theatre on August 1, 2012, in a limited engagement until December 30 of the same year. The tour cast came back together to perform for the short run. A Non-Equity tour launched in New Haven, Connecticut, on January 16, 2014.

Cultural Influence

  • Bring It On was the first major musical to have the choreography focus on gymnastics. As a result, it has been highly praised for its new style of stage movement.
  • The Broadway cast of Bring It On has performed on shows and at events like "The Today Show," "America's Got Talent" and the 2012 Macy's Thanksgiving Day Parade.

Trivia

  • The Broadway production of Bring It On was nominated for two Tony Awards (Best Musical and Best Choreography) and five Drama Desk Awards (including Outstanding Book of a Musical, Outstanding Lyrics, Outstanding Director of a Musical and Outstanding Choreography) in 2013.
  • Bring It On has served as the Broadway premiere for several significant young performers, including: Neil Haskell, Adrienne Warren and Elle McLemore.
Critical Reaction

"It's been a long time since I enjoyed a new musical quite as much as Bring It On.... With a sassy libretto by Jeff Whitty and a songwriting team that includes Lin-Manuel Miranda, Tom Kitt, and Amanda Green, Blankenbuehler has fashioned a spectacle whose exceptionally high levels of energy keep audiences rooting for the dancers and cheerleaders."
– The Huffington Post

"The primary delights in Bring It On are the breathtaking displays of human fireworks that send the show's well-drilled dancers flying skyward, forming towering human pyramids, or tumbling across the stage backward, like electric-powered Slinkys. ...This is also the only musical I've seen that had me regularly gasping at the human pyrotechnics on display."
– The New York Times

"A high-energy stage spectacle with good songs and thrilling gymnastic dance numbers. ...A completely successful evening of professional-grade musical theater. ...The songs are catchy, the lyrics are clever, the dialogue is snappy and the performances are impressive."
– The News Observer

"Bring It On is true to its movie source and delivers a positive message about the power of friendship and acceptance. The show flashes its spirit with funny one-liners, some jazzy songs, and plenty of high school drama."
– Entertainment Weekly

"The show brings a lot to like: A crew of talented Broadway newbies, a blast of infectious feel-good and, most memorably, dazzling dancing and cheering-squad routines.... [Jeff Whitty] is on his A-game. His script, which shows a keen ear for teen-speak, is topical, toothy and consistently giggle-inducing."
– New York Daily News

"Bring It On certainly gives fierce face, but it also backs up that glittering grill with just enough sinew and substance – musical, physical and textual – to put it in trophy contention as a worthy, weightless delight, a guilty pleasure you needn't feel too guilty about. ...The rhythmic and harmonic textures created by Kitt, Miranda, and arranger Alex Lacamoire are an unmistakable advance on the pop-Broadway norm. ...This is indeed stage spectacle with many moving parts, only this time – wonderfully, refreshingly – nearly all of them are human."
– Vulture

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Production Contract, in a conspicuous manner on the first page of credits in all programs and on houseboards, displays and in all other advertising announcements of any kind.
Percentages listed indicate required type size in relation to title size.
BRING IT ON
(100%)
THE MUSICAL
(33.3%)
 
Libretto by
Music by
Lyrics by
JEFF WHITTY
(50%)
TOM KITT & LIN-MANUEL MIRANDA
(50%)
AMANDA GREEN & LIN-MANUEL MIRANDA 
(50%)
Inspired by the Motion Picture Bring It On Written by Jessica Bendinger
(25%)
 
The following credits shall appear on the title page for all programs:
 
Arrangements and Orchestrations
Alex Lacamoire & Tom Kitt
(35%)
 
Originally produced for Broadway by
(40%)
Universal Stage Productions/
 Glenn Ross
(40%)
Beacon Communications/
Armyan Bernstein & Charlie Lyons
(40%)
and
Kristin Caskey & Mike Isaacson
Executive Producers
(40%)
 
World Premiere produced by Alliance Theater, Atlanta, GA, Susan V. Booth, Artistic Director
(30%)
 
Original Broadway Production Directed and Choreographed by
Andy Blankenbuehler
(50%)
 
TM and © Bring It On The Musical LLC.  All Rights Reserved.
 
Notwithstanding anything to the contrary above, in advertisements of less than 1/4 page size or where only the title of the play, performance dates and venue are provided, the following “shortened billing” is permissible:
 
BRING IT ON
(100%)
THE MUSICAL
(33%)

Video Warning

The videotaping or other video or audio recording of this production is strictly prohibited

Included Materials

Resource Quantity
KEYBOARD1 - CONDUCTOR SCORE 1
LIBRETTO/VOCAL BOOK 25
PIANO VOCAL SCORE 1

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26.299039, -81.784339

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51.4757545, -0.0063263

39.3593487, -76.726348

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42.6669183, -73.7821455

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26.5871331, -82.01654

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52.2184448, -1.8675162

57.4029622, -2.2204023

53.7464141, -0.3318737

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41.5958226, -81.5250585

30.2644941, -97.7724445

52.4772152, -1.9154432

52.7106365, -2.7576131

50.2614421, -5.0427617

51.5457979, -1.8092439

53.2990176, -6.347197

52.6957466, 0.185344

50.7872014, -1.0813252

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26.299039, -81.784339

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30.4408618, -88.2777993

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33.8180519, -116.5212018

26.5871331, -82.01654

50.450053, -104.6104116

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33.977319, -81.3081352

38.9606291, -84.3900063

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41.5890906, -87.0646117

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41.2791321, -82.849338

41.2981219, -72.4535418

55.9467678, -3.1859523

40.8908711, -74.5291692

Title Address Organization Website Date Venue
Bring It On

3333 South Decker Lake Drive
West Valley City, UT 84119
United States

West Valley Arts http://wvcarts.org to West Valley Performing Arts Center
Bring It On

15100 Veterans Memorial Blvd
Naples, FL 34110
United States

Aubrey Rogers High School to Aubrey Rogers High School
Bring It On

Brentwood Theatre
Brentwood
CM15 8AG
United Kingdom

Zlh Studios to Brentwood Theatre
Bring It On

1800 7th Ave
Moline, IL 61265-2114
United States

The Spotlight Theatre to The Spotlight Theatre
Bring It On

200 Hackensack Ave
Hackensack, NJ 07601 6195
United States

Bergen Academies to Bergen Academies
Bring It On

St. Ursula's Convent School
London
SE10 8HN
United Kingdom

St. Ursula's Convent School to St. Ursula's Convent School
Bring It On

4300 Bedford Road
Baltimore, MD 21208
United States

Sudbrook Magnet Middle School to Sudbrook Magnet Middle School
Bring It On

4300 Bedford Road
Baltimore, MD 21208
United States

Sudbrook Magnet Middle School to Sudbrook Magnet Middle School
Bring It On

700 Washington Avenue
Albany, NY 12203
United States

Albany High School https://www.albanys… to Albany High School
Bring It On

700 Washington Avenue
Albany, NY 12203
United States

Albany High School https://www.albanys… to Albany High School
Bring It On

3500 Agualinda Blvd
Cape Coral, FL 33914
United States

Ida S Baker High School to Auditorium
Bring It On

3500 Agualinda Blvd
Cape Coral, FL 33914
United States

Ida S Baker High School to Auditorium
Bring It On

The Greig Hall
Alcester
B49 6AD
United Kingdom

Top Box Studios Ltd. to The Greig Hall
Bring It On

Haddo Hall
Ellon
AB41 7EQ
United Kingdom

Haddo Musical Theatre School to Haddo Hall
Bring It On

Riverside Theatre
Hull
HU1 3DG
United Kingdom

Hull College to Riverside Theatre
Bring It On

Beck Theatre
Hayes
UB3 2UE
United Kingdom

Beck Theatre--Parkwood Theatres to Beck Theatre
Bring It On

711 E 222nd St
Euclid, OH 44123
United States

Euclid High School http://www.euclidsc… to Euclid High School
Bring It On

2206 William Barton Drive
Austin, TX 78701
United States

Zilker Theatre Productions http://www.zilker.o… to Sheffield Zilker Hillside Theatre
Bring It On

Crescent Theatre
Birmingham
B16 8EA
United Kingdom

Spotlight Stage School & Agency Limited to Crescent Theatre
Bring It On

Theatre Severn
Shrewsbury
SY3 8FT
United Kingdom

Curtain Call Theatre Company Theatre Severn
Bring It On

Burrell Theatre
Truro
TR1 1TH
United Kingdom

Boom Theatre to Burrell Theatre
Bring It On

The Deanery Ce Academy
Swindon
SN1 7DA
United Kingdom

Wilkes Academy Of Performing Arts to The Deanery Ce Academy
Bring It On

United States

Malahide Community School to Scoil Iosa Hall
Bring It On

Marshland High School
Wisbech
PE14 7HA
United Kingdom

Marshland High School to Marshland High School
Bring It On

Kings Theatre
Southsea
PO5 2QJ
United Kingdom

Kings Theatre Arts Academy to Kings Theatre
Bring It On

Lakeside Theatre
Colchester
CO4 3SQ
United Kingdom

Stagestruck Academy to Lakeside Theatre
Bring It On

15100 Veterans Memorial Blvd
Naples, FL 34110
United States

Aubrey Rogers High School to Aubrey Rogers High School
Bring It On

Municipal Theatre Association
#1 Theatre Drive
St Louis, MO 63112
United States

The Muny http://www.muny.org to The Muny
Bring It On

14001 Hurricane Blvd.
Irvington, AL 36544
United States

Alma Bryant High School to Alma Bryant High School
Bring It On

129 E Maumee St
Adrian, MI 49221
United States

Croswell Opera House http://www.croswell… to Croswell Opera House
Bring It On

2401 East Baristo Road
Palm Springs, CA 92262
United States

Palm Springs High School to Palm Springs High School
Bring It On

3500 Agualinda Blvd
Cape Coral, FL 33914
United States

Ida S Baker High School to Auditorium
Bring It On

1801 Scarth Street
Regina SK S4P2G9
Canada

Globe Theatre http://www.globethe… to Globe Theatre
Bring It On

Estr. Da Gavea 899
Sao Conrado
Rio De Janeiro
22610
Brazil

In Cena Casa De Artes E Producoes Artisticas Ltda to Teatro Fashion Mall
Bring It On

700 Washington Avenue
Albany, NY 12203
United States

Albany High School https://www.albanys… to Albany High School
Bring It On

2580 Mount Zion Parkway
Jonesboro, GA 30236-2503
United States

Stilwell School Of The Arts to Clayton County Public Schools Pac
Bring It On

2825 Ala Ilima Street
Honolulu, HI 96818
United States

Moanalua High School to Moanalua's Performing Arts Center
Bring It On

2463 Augusta Hwy
Lexington, SC 29072
United States

Lexington High School to Lopac
Bring It On

4 Grove St,
Alexandria, KY 41001
United States

Bishop Brossart High School http://www.bishopbr… to Bishop Brossart Hs
Bring It On

1200 N. Girls School Rd
Indianapolis, IN 46214
United States

Ben Davis High School to Ben Davis High School Theatre
Bring It On

2125 South 11th Street
Chesterton, IN 46304
United States

Chesterton High School to Chesterton High School Auditorium
Bring It On

6301 N. University St.
Peoria, IL 61614
United States

Richwoods High School to Auditorium
Bring It On

205 Maple Street
Bellevue, OH 44811
United States

Bellevue Society For The Arts http://www.bellevue… to Bellevue Society For The Arts
Bring It On

156 Mcveagh Road
Westbrook, CT 6498
United States

Westbrook High School to Westbrook High School
Bring It On

Festival Theatre
Edinburgh
EH8 9FT
United Kingdom

Nardone's Academy Of Performing Arts to Festival Theatre
Bring It On

520 West Main Street
Rockaway, NJ 7866
United States

Morris Hills High School to Morris Hills High School
(264947)
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