Full Synopsis
Act One
Tin Pan song-plugger, Mickey McKee, dreams of writing a million-seller hit tune to become the next Irving Berlin ("Plugger's Prologue"). The only trouble is that he can't write a note... not until he teams with Betty Gold, a feisty Jewish sweatshop worker who happens to be a musical demon. Together, they makebeautiful music ("Play a Simple Melody"), writing a song that Mickey thinks could sell a million and save the orphaned Gold sisters' Delancey Street Music Hall from the constant threats of Johnny Giovanni's street gang, as well as land baron, Stanford J. Tierney, who plans to demolish their Lower East Side block to build skyscrapers.
Betty yearns to fulfill her beloved Papa's dying dream – to write and sell songs ("I'm Always Chasing Rainbows"), but, as she quickly learns from Ethel Coots, a tough female music publisher, song- plugging is a male-dominated field ("A Good Man Is Hard to Find"). Undaunted, Betty dons the trousers that she once sewed to hit the streets as Buddy O'Reilly.
Betty's disguise may fool the Gangs of New York ("Oh, Johnny, Oh!"), but, when Buddy wins Mickey's job in a fierce Plug-Off ("Ja-Da"), becoming the new King of the Pluggers, an intense rivalry ensues ("Some of These Days").
Mickey, clueless that his best girl and worst enemy are the same person, finds himself tricked by fate into collaborating with Buddy on a new waltz for the debutante ball of Stanford J. Tierney's sweet granddaughter, Alice ("Alice Blue Gown").
At Alice's Ball, romantic farce unfolds as Mickey woos Betty, Alice woos Buddy and Alice's Yalie brother, Junior Tierney, wins the favor of Betty's hardworking sister, Frances ("If You Were the Only Girl in the World"). But, romance fizzles, and the ball falls apart when the Gold sisters are unceremoniously booted from the restricted club, leaving Mickey in the lurch when his partner Buddy mysteriously disappears along with his girl, Betty.
Act Two
The second act opens ("After the Ball"), with Mickey and Junior waking the Delancey Street neighbors in their attempt to win back Betty and Frances ("Hello! MyBaby"). Tierney arrives, infuriated, and forbids Junior to return to the Lower East Side. Betty tries to tell Mickey the truth about Buddy's identity, but a hotheaded misunderstanding leaves Mickey believing that Betty can never love him because she's in love with Buddy ("I Don't Care")!
To save his wounded pride, Mickey gets mixed up with Johnny Giovanni's gang ("Ballin' the Jack"), and Mickey and Buddy must now come up with a new song to save their lives ("My Buddy / I Ain't Got Nobody"), Junior must deliver the Gold sisters an eviction notice and Frances must convince the neighbors to occupy Delancey Street so they won't end up homeless ("Ain't We Got Fun").
Facing heartbreak and ruin, all decide "There'll Be Some Changes Made." Junior cashes in his trust, Tierney hires Johnny's gang to torch the neighborhood. Johnny strong-arms Mickey into doing his dirty work and Buddy rescues Mickey with a song, unwittingly revealing "his" true identity ("You Made Me LoveYou").
Mickey at last sees Betty for who she, as love wins the day, the kids save the neighborhood, songs get published, dreams come true and a crackerjack sing-along brings everyone together ("Hello! My Baby").
Connect
Billing
- Concept, Book, and New Lyrics by
- Musical Arrangements by
Requirements
Music and Lyrics by
the Authors of the Great American Songbook*
Brian P. Kennedy, Craig Safan,and Michael Kosarin
Karyl Lynn Burns and James O'Neil, Artistic Directors;
under the direction of Brian McDonald, in the Spring of 2012
Michael P. Price, Executive Director, in December of 2011
ACT I
“THE PLUGGERS’ PROLOGUE”
“HELLO! MY BABY” (1899) by Joseph Howard & Ida Emerson
“SWANEE “ (1921) by George Gershwin & Irving Caesar
“I’M JUST WILD ABOUT HARRY” (1920) by Noble Sissle & Eubie Blake
“TOOT-TOOT-TOOTSIE” (1922) by Kahn/Erdman/Russo
“HOT TIME IN THE OLD TOWN” (1896) by Theodore Metz & Joe Hayden
“SIDEWALKS OF NEW YORK” (1914) by James Blake & Charles. B. Lawlor
“ROCK-A-BYE YOUR BABY” (1918) by Jean Schwartz & Joe Young
“YES SIR, THAT’S MY BABY” (1920) by Walter Donaldson & Gus Kahn
“PLAY A SIMPLE MELODY” (1914) by Irving Berlin. Additional music/lyrics Craig Safan & Cheri Steinkellner (2012)
“I’M ALWAYS CHASING RAINBOWS” (1918) by Harry Carroll & Joseph McCarthy
“MODERN MAJOR GENERAL”/ (1879)
“THREE LITTLE MAIDS” (1885) by Gilbert & Sullivan
“A GOOD MAN IS HARD TO FIND” (1918) by Eddie Green
“OH, JOHNNY, OH!” (1917) by Abe Olman & Eddie Rose
“JA-DA” (1918) by Robert Carleton. Additional music/lyrics Safan & Steinkellner (2012)
“SOME OF THESE DAYS” (1910) by Shelton Brooks
“ALICE BLUE GOWN” (1919) by Harry Tierney & Joseph McCarthy
“IF YOU WERE THE ONLY GIRL” (1916) by Nat D. Ayer & Clifford Gray
ACT II
“HELLO! MY BABY” (1899) by Howard & Emerson
“I DON’T CARE” (1909) by Jean Lenox & Harry O. Sutton
“I’LL BUILD A STAIRWAY TO PARADISE” (1922) by George Gershwin/Arthurs/DaSylva
“BALLIN’ THE JACK” (1913) by Jim Burris & Chris Smith
“McKEE & GOLD BREAKDOWN” (2012) by Craig Safan & Cheri Steinkellner
“MY BUDDY” (1922) by Henry Burr
“I AIN’T GOT NOBODY” (1915) by Roger Graham & Spencer Williams
“AIN’T WE GOT FUN?” (1921) by R. Whiting, R. Egan, Gus Kahn
“THERE’LL BE SOME CHANGES MADE” (1921) by Benton Overstreet, Wm Blackstone
“YOU MADE ME LOVE YOU” (1913) by Joseph McCarthy, James Monaco
Additional transition and dance music: “GRIEG’S MORNING SONG”, “AFTER THE BALL”, “BY THE BEAUTIFUL SEA”, “CAN-CAN”, “THE 1812 OVERTURE”, “THE HAPPY FARMER”, “SWAN LAKE”, “STRAUSS WALTZ”
Video Warning
In accordance with the Performance License, you MUST include the following warning in all programs and in a pre-show announcement:ANY VIDEO AND/OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.
If you purchase a video license to allow non-commercial video recording of this production, then you MUST include the following warning in all programs and in a pre-show announcement:
ANY VIDEO RECORDING MADE OF THIS PERFORMANCE IS AUTHORIZED FOR PERSONAL, AT-HOME, NON-COMMERCIAL USE ONLY. THE SALE OR DISTRIBUTION OF SUCH RECORDING IS STRICTLY PROHIBITED UNDER FEDERAL COPYRIGHT LAW.
Included Materials
Item | Quantity Included |
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DIRECTOR'S SCRIPT | 1 |
LIBRETTO/VOCAL BOOK | 24 |
PIANO CONDUCTOR'S SCORE | 2 |
Production Resources
Resource |
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HOW DOES THE SHOW GO ON-10/CS |
HOW DOES THE SHOW GO ON? |
LOGO PACK |
LOGO PACK DIGITAL |
LOGO TEES SIX-PACK ADULT LARGE |
LOGO TEES SIX-PACK ADULT MEDIUM |
LOGO TEES SIX-PACK ADULT SMALL |
LOGO TEES SIX-PACK ADULT X-LARGE |
LOGO TEES SIX-PACK ADULT XX-LARGE |
LOGO TEES SIX-PACK CHILD LARGE |
LOGO TEES SIX-PACK CHILD MEDIUM |
LOGO TEES SIX-PACK CHILD SMALL |
PERFORMANCE ACCOMPANIMENT RECORDING |
PRODUCTIONPRO-DIGITAL SCRIPT/SCORE |
REFERENCE RECORDING |
REHEARSAL ACCOMPANIMENT RECORDING |
STAGE WRITE APPLICATION |
VIDEO LICENSE |
STANDARD ORCHESTRATION
Instrumentation | Doubling |
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BASS | |
PERCUSSION | |
PIANO 2 |